Chapter 19 – Theater
Table of Contents
- Introduction: Thespians All
- Guide to Writing Plays
- Theatre as Social Criticism
- Intuition in the Theatre
- Escaping and Purging
- Oedipus Asleep
- Sophocles and Suffering
- The Middle Path
- Trapped in Suffering
- William Shakespeare
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- Fat Jack
- The Tragic Flaw
- The Divine Right of Self-Destruction
- Shakespeare and Feminine Wisdom
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- Fear of the Feminine
- Feminine Wisdom
- Beware of Those Women
- Anxious Masculinity
- Comedie Moderne
- Grace, Works or Predestination
- The Farcical False-Self
- Pirandello the Profound
- Folly: Acting and the Cult of Celebrity
- Thornton Wilder
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- Listening to the Dead
- Skin of Our Teeth
- Eugene O’Neill’s America
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- Mindless and Masked
- Fatalistic Surrender
- The Victim
- Pipedreams
- Tennessee Williams
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- Trapped in Illusion
- Streetcars Named Security, Sensation and Power
- Arthur Miller
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- Neurotic Illusion
- Projecting the Shadow
- Catastrophic Reactions
- Trapped in the Mirror
- Staging the True Self and the False Self
- Illusion on the American Stage
- The Death of a Culture
- Epilogue to Tragendy
- Double Illusion
- Absurdly Real
- A Modern Buddha
- Murder and Mayhem
- Wicked Illusion
- Humor, Hysteria and the Holidays
- Suffering is Universal
- Mamet, the Hound of Heaven
- Look in the Mirror
- What is Normal?
- La Vida Loca (The Crazy Life)
- America: Black and White – The Darkness and the Light
- America: A Trilogy for the Theatre
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- Bully for Teddy, Bully for America! or Bully for the American Bully!
- Madness on the World Stage
- Please Don’t Tell Your Friends
- Perfervid Cupidity
